Andrew London Trio.-Andrew london, Kirsten london, James Tait-Jamieson, with Wayne Mason.
18 February 2018
At Meow, Sunday 5:00 to 7:00.
‘Let’s Take Offence', ‘Middle Aged Man in Lycra', 'Country's Buggered', ‘I’d Never Let My Daughter Out With Frank Sinatra’; the titles give away the themes explored in An-drew London’s whimsical jazz-influenced original songs. Mainstream culture is affec-tionately prodded with gentle irreverence, and many of society's obsessions and ta-boos playfully lampooned. Themes run the gamut from couch potato sports fans and Kiwi driving habits to male insecurities, technophobia, household appliances, and many other issues familiar to middle-aged, middle-class, Middle-Earth dwelling baby-boomers.

Delivery is wrapped in an easy-going and accessible 1940s-era ‘Hot Club’-style swing package, with occasional sallies into folk, blues and western swing; and London’s easygoing banter holds a two-hour show together with stories that draw the audience in and set up the songs.

Recent reviewers of London’s lyrical skills have made comparisons to John Clarke, Tim Minchin, Flanders and Swann...even Noel Coward, and after a recent appearance live on NZ’s National Radio, one commentator remarked 'The Andrew London Trio are like Flight of the Conchords for Rest Homes'.

According to Downbeat USA, his 2004 album ‘Toasted’ , ‘…lured listeners in with ec-centric edges and devilishly clever wordplay.’. A decade later the same publication re-ported that his album ‘Ladies a Plate’ ‘...reaches high levels of poise and affability while imparting witty lyrics that would draw quiet laughs of agreement from Mose Alli-son and Dave Frishberg.’

His songs have been included in a national year 13 English syllabus, Radio NZ’s ‘Best Song Ever Written’ segment and several NZ and European album compilations. His previous trio, Hot Club Sandwich, is the only Kiwi act in recent times to have performed in Saudi Arabia. His songs have been included in feature films including ‘Second Hand Wedding’, ‘No Petrol, No Diesel’ and ‘No Ordinary Sheila’.

In Live performances, woodwind exponent James Tait-Jamieson contributes with (among other things) tenor/soprano and baritone saxophones, flute, Irish whistle and melodica and contributes with a crooning vocal style honed in the Bu-ble/Connick/Sinatra school. The bass chair is occupied by Kirsten London, who also contributes occasional standards lifted from the Doris Day and Blossom Dearie song-book. Occasional guest Wayne Mason plays rollicking piano in the New Orleans and western swing styles.

‘Yes it’s jazz, but not for the purists’, - Downbeat USA Magazine 2004Sunday December 17th.
5:00pm to 7:00pm at Meow

Bill West Jazz Band
Heritage jazz in Contemporary New Orleans style.
The band plays traditional jazz standards with authentic vintage New Orleans sound. Since hurricane Katrina the style is resurging in the home of jazz
The band will be playing great numbers such as ‘After You've Gone’, ‘I'm Nobody's Sweetheart’, ‘Some of These Days’. Vocals by Marian Price Carter will include; - ‘I Get The Blues’, ‘Baby Won't You Please Come Home’ and more.
List of performers:
Marian Price-Carter, chanteuse
Graham Parker, bass
Don Franks, banjo, vocals
Graham Kelly, piano, vocals
Chris Anderson, clarinet
Brian Kelly, trombone
Bill West, cornet, vocals

Bill West grew up in York, England, learning melodies from his mother who had been a singer in a Glasgow band in the 1940’s. Influenced during the 1960’s by Ken Colyer, Bill led a jazz band in Wellington during the 80’s & 90’s. Most current band members are from that time. Bill was recently inspired to pick up his horn again after hearing the current generation of New Orleans style jazz musicians.
Marian Carter a Wellington based singer and musician, lends her vocals to some of the Heritage repertoire. She also performs with the New Valley Stompers and singing and playing clarinet as half of the Raven Mavens duo.
Don Franks (banjo) is a Wellington based professional musician, plays piano, banjo, guitar and sings. Don has recorded six albums of original compositions and covers, available on Bandcamp.com
Chris Anderson (clarinet) was invited to play for a Trad Jazz Band in England in the 1960’s. Namely the Frog Island Jazz Band, who incidentally are still playing! He still keeps in touch with many of the original members. Since leaving England Chris has played with numerous groups, with differing styles and sizes in Australia, as well as New Zealand. Chris has always had an affinity for the traditional six or seven piece line-up.
Graham Kelly is a pianist who had his own popular dance band, “The Graham Kelly Orchestra”, in Wellington for 24 years during the 1950s, 60s and 70s. He was a member of the Bill West Jazz Band during the 1980s and played in Bill’s band on their recording.
Graham organised the successful Parliamentary charity concerts “Harmony in the House” for the Mary Potter Hospice for 15 years and is currently playing in the reformed New Valley Stompers Dixieland Jazz Band.
He has been an active member on the Committee of the Wellington Jazz Club since 2007, having introduced Tribute Concerts for musicians who have made an outstanding contribution to jazz.
Owen Kneebone has been playing drums since 1960 being taught by the late Frank Gibson Snr. He was the first winner of the Premier Drum Award in 1964. He has played and recorded with Peter Posa, Dinah Lee, The Chicks and Tommy Adderley amongst others. He now divides his time between gigs with the Society Jazzmen, The Lindsay Meech band and casual gigs. He is a founding member of the new Auckland Dixieland band The Hauraki Hot Six.

Brian Kelly was inspired to play trombone after growing up listening to his father’s Dance Band.
He played in the original Bill West Jazz Band in Wellington, the Rodger Fox Band and has played numerous styles of music.

In the 1990s he was a member of the Hotter Than Six Jazz Band in Melbourne that toured festivals around the world. Now back in NZ, Brian plays with Lindsay Meech in the Hauraki Hot Six and is enjoying playing with Bill West’s new Heritage band.
https://www.youtube.com/watch?v=dLJSm53czMA

The Wellington Jazz Club organizes monthly Gigs, normally on the third Sunday of the month. Doors open to public and members at 4.15pm. Performance commences: 5:00pm. Performance finishes: 7:00pm.
At the Meow Event Venue, 9 Edward St, Wellington

For artists and location of gigs click on these links:
The Club Facebook page. Wellington Jazz Club Website.
Click on coloured words through-out the newsletter and they will link you to relevant websites.

Come Fly with Us and the very best of The Crooners


5:00 t0 7:00 pm. 19 November 2017. At Meow
Local jazz vocalist James Tait-Jamieson pays tribute to the kings of croon (Frank Sinatra, Tony Bennett, Dean Martin, Bobby Darin, Andy Williams, Bing Crosby, Nat King Cole, Mel Tormé, Perry Como and Sammy Davis Jr.) with the best songs and most interesting life stories of these talented men. With gueat vocalist April Phillips


jamestaitjamiesonplaysaxbrick.jpg

James - voice, saxophone
April Phillips - Vocals
Ayrton Foote - piano
Wynton Newman - double bass
Sam McKenzie - drum set

James Tait-Jamieson

James is a sax player and singer from Palmerston North, New Zealand. After falling in love with jazz in his teens he went on to study at the New Zealand School of Music and then on to the graduate program at the University of Nevada Las Vegas.

Living in “The Entertainment Capital of the World”, James had the opportunity to perform regularly on the Las Vegas Strip and beyond, honing his craft in front of audiences at Caesar’s Palace, The Bellagio, Wynn Las Vegas and Four Seasons at the Mandalay Bay but to name a few.

After graduating from UNLV and moving home to New Zealand he quickly started working with Wellington lounge band Shaken Not Stirred and did a year-long stint as saxophonist in The Bobptet at the Lido Café with Roger Sellers and Paul Dyne (New Zealand’s longest running jazz gig).
In 2007 James debuted his musical review show Sons of Sinatra with internationally renowned trombonist and band leader Rodger Fox. The show has featured regularly at jazz festivals and concert venues all over New Zealand since then.
In 2010 he joined legendary Wellington musical comedy trio Hot Club Sandwich and started teaching Contemporary Performance Music at UCOL in Palmerston North.
In 2015 james joined the Rodger Fox Big band on alto sax.

Highlights over the past few years have been two month-long Arts On Tour New Zealand tours and a week in Norfolk Island with Hot Club Sandwich, two trips to Fiji to perfom with blues singer Mahia Blackmore’s Paradise Band and a performance at the 2017 Monterey Jazz Festival in california with the Rodger Fox Big band.

James is currently residing in Brooklyn, Wellington where he performs regularly with his own groups groups as well as The Andrew London Trio, The Wellington Heads, C26 salsa band and of course RFBB.
He is working on his first recording under his own name - a Michael Bublé-style jazz vocal album with big band and strings.

April Phillips


April is a professional actor and recorded singer. In addition to singing in various bands and at jazz festivals her TV appearances include multiple performances on Television New Zealand's "Good Morning" Show and "Breakfast Show" and the TV satirical series "McPhail an d Gadsby" alongside Jon Gadsby and David McPhail. She released her debut jazz album in 2004 and has since donated 100% of her income from that album to Make A Wish New Zealand. She recently recorded a follow up song called "What I'd Do For You" for Make A Wish New Zealand.
Phillips also released an album of her own original pop songs called "Tempting Fate" and appears on a collaborative Nat King Cole tribute CD "Unforgettable".
https://en.wikipedia.org/wiki/April_Phillips
Listen to her at: https://www.youtube.com/watch?v=Eyyaa2jwzpU&list=PLRedQZS8i9jAuqgfELDUYRcKvr5MlhN2S&index=8

Ayrton Foote-Keys


Ayrton was born in Auckland but spent high school years in Wanganui. He graduated Bachelor of Music (BMUS) at the New Zealand School of Music, Wellington. He has always loved jazz music especially the use of improvisation. This has naturally led him to the discovery of being able to do the same with what the piano does in Latin and Salsa music with which we call Montunos. I also really enjoy the rhythmic diversity of Latin American music.

Wynton Newman


Wynton is currently undertaking his honours degree at the New Zealand School of Music, studying Jazz Performance on bass.
He has played extensively around Wellington in many different bands with styles ranging from straight ahead jazz, afro beat, funk, latin and salsa music. He looks forward to be returning and playing for the Wellington Jazz Club again!

Sam Mackenzie

Sam is a second year student, studying Jazz Performance at The New Zealand School of Music. Sam has already had the opportunity to perform with renowned American Jazz artists including Dick Oatts, Luis Bonilla and Alex Sipiagin, as well as having played with New Zealand's Rodger Fox Big Band. Having played in many different venues he looks forward to playing at the Wellington Jazz Club for the first time!
Ayrton Foot was born in Auckland but spent high school years in Wanganui. He graduated Bachelor of Music (BMUS) at the New Zealand School of Music, Wellington. He has always loved jazz music especially the use of improvisation. This has naturally led him to the discovery of being able to do the same that the piano does in Latin and Salsa music which we call Montunos. He also really enjoys the rhythmic diversity of Latin American music.


Here is an extract from a Fairfax NZ News article on James Tait-Jamieson from the Stuff web-site dated 02/10/2012

“Growing up on an organic dairy farm outside Palmerston North, the jazz crooner was exposed to music early on through his dad who, before his farming days, was a professional musician.

Tait-Jamieson said his first introduction to jazz, however, was through Phil Broadhurst's The Art of Jazz programme on Concert FM, which his dad used to tape.

"We'd listen to the tapes in the car as he drove me to school each weekday morning.’I was exposed to a fantastic mix of classic jazz and new releases, which gave me an excellent appreciation of the genre."

The farm job he took on at home after high school was a brief hiatus, before he became fascinated by the grooviness, complexity, and freedom of jazz music and headed to Massey University to study for a Bachelor of Music degree in jazz studies.

"The first jazz singer to make an impression on me was Australian crooner Vince Jones," he said. "I was also taken by the music of saxophonists Stan Getz and Gerry Mulligan, and trumpeter Miles Davis."

After completing his degree in 2002, Tait-Jamieson was awarded a full fees waiver by the university to complete a postgraduate honours programme in jazz performance.

During this time he started to get serious about singing, tuning his ear to the likes of Harry Connick Junior, Chet Baker and Kurt Elling.

After graduating, he left New Zealand to take up a paid graduate assistant position at the University of Nevada, Las Vegas.

"Here I was able to hone my musical talents in voice, clarinet and flute, and played either lead alto or lead tenor in UNLV's top jazz big band.

"Working with a diverse range of musicians and bands here, and in the US, has made for a really interesting life," he said.

With a Master of Music degree tucked under his arm, Tait- Jamieson returned home to New Zealand in 2007.

Since his return, the crooner has played in Vaughn Roberts' big band, and debuted his own musical review show, Sons of Sinatra, with musical director Rodger Fox.
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